By Hugo Gerbich-Pais     8/30/22 11:45pm

Created from plywood, corrugated plastic, Arduino circuits and LED strips, “ones & zeros” was created by senior architecture students Peyton Chiang, Joseph Hsu, Olivia Malone and Jeff Xia for Archi-Arts. The large-scale, interactive exhibition goes on display Wednesday, Aug. 31 at 5 p.m. in the Sewall Courtyard as Sleepy Cyborg’s first fall exhibition, slated to run until Oct. 9.

The project began when the group won $1000 at last year’s Archi-Arts competition.

“We wanted to create something that reflected the idea of the zero and the one, and [we] translated that to the physical motion of switching something on or off,” Chiang, a Duncan College senior, said. 

The sculpture is formed from 50 plywood boxes stacked 5 feet wide and 10 feet tall. Each contains an LED strip controlled by an Arduino processor, covered by a sheet of semi-translucent corrugated plastic. The boxes are constructed individually and then screwed together, enabling audience members to flip a switch to turn each box on and off.

“The idea of allowing people to play around with the switches was so that people could leave their mark [and] draw their pattern on this giant analog screen,” Xia, a Brown College senior, said. “After they’re done, they can sit down and see what the next person does.” 

The team was heavily inspired by the theme of Archi Arts: 8-BIT. It paid homage to the 8-bit graphic technology that was developed and popularized in the ‘80s and ‘90s and pioneered computer graphics and color images. 

“In response to the more technical theme of 8-bit, we wanted to bring in all of our disciplines,” Hsu, a Baker College senior, said. “Jeff has been working on some electronic stuff in an engineering class, and we wanted to combine that with all of our expertise in the woodshop and our architectural knowledge.”

The team ultimately used their combined skills to create a design as simplistic as possible.

“The end product is the result of trying to break down the 8-bit theme to its most basic component,” Malone, a Jones College senior, said. “We wanted to celebrate the simplicity of 8-bit for what it is.”

The team also relied on their architectural skills throughout the artistic process.

 “The design process was mostly done through drawings and the computer — just trying to visualize everything. After we won the competition, that’s when we really tuned into how to manifest the project,” Xia said. 

From the beginning of the design process the team considered how the audience would experience the installation. 

“Another thing we thought about that relates to architecture is how the user was going to interact with the art, the procession to the piece and how the piece would interact with them,” Chiang said.

The boxes are also designed so that the structure can be disassembled and still function. 

“At some point we will probably break apart the boxes and distribute them so that people can keep one pixel of the piece,” Xia said.

Seven years after “Mad Max: Fury Road,” filmmaker George Miller returned to cinemas this past Friday with “Three Thousand Years of Longing,” a film distinctly opposite from the genre work Miller is known for. While Miller’s  tendency to capture excitement is present in the film, this is a new territory for the director. “Three Thousand Years” is a romance-fantasy drama centered around Alithea Binnie (Tilda Swinton) who discovers a genie (Idris Elba) while on a trip to Istanbul. This heady and almost saccharine premise about the power of storytelling is a great setup for a blissful drama, but ultimately becomes messy as Miller’s style and writing are antithetical to the romance at the core of the story.

It’s been four years since JID’s last studio album, “DiCaprio 2,” but he hasn’t been quiet by any measure. In the past few years, JID has been heard on a wide range of features, from Doja Cat to Joey Bada$$, never compromising on quality and creating even more excitement for his next full work.

Australian indie rock singer Julia Jacklin has returned just three years after her sophomore album with her newest release, “Pre Pleasure.” A bittersweet reflection on self-awareness, sexuality, complicated love and her own mother-daughter relationship, “Pre Pleasure” is another successful product of Jacklin’s introspective and tastefully confessional songwriting. 

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